Piano Adventures: The “Caseworkers” Edition

As a piano technician, my concerns and expertise regarding the instrument are primarily focused on how they feel and how they sound. However, as an instrument that is also considered furniture and tends to draw the eye wherever it is placed, the condition of the case also tends to be a priority.

To address such concerns, similar to how a mechanic would refer auto body work to a separate technician, the expertise of a master finish and/or touch-up specialist is required. 

In Portland, OR, the go-to person for any of the cosmetic needs of a piano, whether they be small repairs to fix chips and scratches or complete refinishing jobs, is Arno Arrak

Piano Dumping, Part 2

In reading reactions to the New York Times article on the rise of throwing old pianos away, I was struck in particular by this Letter to the Editor published in the Syracuse Post-Standard, as well as this article proclaiming that We are Witnessing The Second Great Piano Die-off.

A common thread between the two posts seems to be a pervading sense of alarm that pianos will soon be obsolete due to our wired society in which these hulking acoustic instruments no longer seem to fit.

There is no question that advances in technology, especially devices that allow us to enjoy music in a passive (listening-only as opposed to actively playing) way, have drastically changed the position of pianos in the average American household.

Through the 19th and into the 20th centuries, prior to the advent of the phonograph, the piano was the main source of entertainment in people’s homes. After all, the piano, the most versatile of instruments except for its lack of portability, provided recreation in the form of listening to, playing, and singing along with music. A piano could be the melody, the harmony, the accompaniment, or all of the above all at once. The popularity of pianos was reflected by the number of piano manufacturers that existed in the United States, which numbered well into the hundreds into the early 1900s, then plummeted due to the quadruple-whammy effect of the record player, the radio, the Great Depression, and World War II. Today, the number of piano manufacturers in the US can be counted on less than one hand.

Piano Dumping, Part 1

Note: This is the first post in a series in response to the recent explosion of articles and posts on the value and lifespan of pianos.

A few weeks ago, a New York Times article on the increased frequency of pianos being consigned to the dump created quite the brouhaha on the internet.

My Google Alert for “piano” exploded as a multitude of other news sources provided their own commentary on the issue, along with the reactions of the general public as they started discussion boards and wrote letters to the editor with their own opinions on how pianos that have reached the end of their life spans should be treated. Weeks later, follow-up articles, blog posts, and published letters to the editor on the issue still pop up on my Google Alert with regularity.

The prevailing responses have been of horror, blaming adults for quitting the piano lessons of their youth, decrying the barbarism of shoving pianos backwards into a dump, lamenting our fast-paced society that throws anything away at the drop of a hat, and filled with plaintive wails of,

“WHY CAN’T THEY BE DONATED TO [insert worthy non-profit organization here]?!?!?!”

I have witnessed said horrified reactions numerous times, most recently when a person banged on the door of the piano shop where I work and wanted to know if he could have the piano sitting outside by the back dumpster.

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